The semiotics of the dress

My dress-based work, begun in 2015, is an evolving body of work and research in which women's roles and identities are explored. A reference to fabric and clothing, either literal or metaphorical, has proven to be a useful device.  The work moves between personal, national and global in its focus. and is currently being explored through the ideas of dignity and labelling practices.  The work is currently being explored in painting/portraiture and expanded painting/sculpture/installation/participatory art.

I have crystallised some of my thoughts into questions (18 August 2018, revised 15 February 2019).  These questions are the result of my personal journey, observation, anecdotal evidence, general research, academic research, art viewing and art-making:

1. If we make it a priority to deflate the importance of gender difference in everyday speech and behaviour in order to allow diversity and inclusivity through non-gender-specific terminology, how can we then highlight discrimination or disadvantage for women or men as a group on the basis of sameness within the binary system?

2. As we continue to dismantle traditional stereotypes and cultural practices around the binary system, what does it mean in today’s society to wear a dress - what are the semiotics of the dress?

3. If woman as subject has essentially fallen out of fashion in the art world in the transition from women's studies to gender studies to queer theory, can the Feminism brand continue to be effective in inciting positive change for women?  Do we instead, as a culture, need to consider rebranding to something more levelling and inclusive, such as Egalitarianism - equity and equality for all people regardless of sex, gender, cultural background, ability or age?

Further reading:

Please head to my Publications page where you will see my more recent writings available for download on this subject.

Wedding day, 2017, digital print from vintage photograph and etching overlay

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